I am not legally allowed to publish these here, nor can I revise them as my ideas evolve (hence “Internments”), but I have authored some academic works. Those listed here rub up closest to the concerns of Selling Dust.
Taylor Swift
I’ve written this book.
Bob Dylan
I’ve published six times on Bob Dylan’s work in scholarly venues, half of these in collaboration with the person who first introduced me to Deep Dylan in college—one book, four book chapters, and one journal article:
Bob Dylan in Performance: Song, Stage, and Screen (co-authored with John M. Radosta):
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I’m Ready to Go Anywhere: Bob Dylan’s Propulsive Vector of Engagement with Audiences, 1964-1966 (with John M. Radosta, book chapter in):
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Sometimes I Turn: Bob Dylan’s Enduring Iconoclasm (with John M. Radosta, book chapter in):
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Not Just Literature: Exploring the Performative Dimensions of Dylan’s Work (book chapter in):
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Bob Dylan: Someone Else’s Stage (book chapter in):
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“Free, Stuck, Tangled”: Bob Dylan, the “Self,” and the Performer’s Critical Perspective (article in):
Listening
Sound and Pedagogy (Themed issue edited with Chris McRae in):
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Engagement Beyond Interruption: A Performative Perspective on Listening and Ethics (w Chris McRae, article in):
Communication and Learning Relationships
Expanding the Scholarly Conversation: What questions have we (not) answered? (Themed issue edited with Deanna Fassett in):
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Book chapter in:
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With Amy Kilgard (book chapter in):
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With Jennifer Sandoval (book chapter in):
Selling Dust 